
 
 
Francis Bacon - The Essays 1601
 OF SIMULATION AND DISSIMULATION
  Dissimulation is but a
 faint kind of policy, or wisdom;
 for it asketh a strong wit,
 and a strong heart,
 to know when to tell truth,
 and to do it.
 Therefore it is the
 weaker sort of politics,
 that are the great dissemblers. Tacitus saith,
 Livia sorted well with
 the arts of her husband,
 and dissimulation of her son;
 attributing arts or policy to Augustus,
 and dissimulation to Tiberius. And again,
 when Mucianus encourageth Vespasian,
 to take arms against Vitellius, he saith,
 We rise not against
 the piercing judgment of Augustus,
 nor the extreme caution
 or closeness of Tiberius. These properties,
 of arts or policy,
 and dissimulation or closeness,
 are indeed habits and faculties several,
 and to be distinguished.
 For if a man
 have that penetration of judgment,
 as he can discern
 what things are to be laid open,
 and what to be secreted,
 and what to be
 showed at half lights,
 and to whom and when (which
 indeed are arts of state,
 and arts of life,
 as Tacitus well calleth them), to him,
 a habit of dissimulation
 is a hinderance and a poorness.
 But if a man
 cannot obtain to that judgment,
 then it is left to him generally, to be close, and a dissembler.
 For where a man cannot choose,
 or vary in particulars,
 there it is good
 to take the safest, and wariest way, in general;
 like the going softly,
 by one that cannot well see.
 Certainly the ablest men that ever were,
 have had all an openness, and frankness, of dealing;
 and a name of certainty and veracity;
 but then they were
 like horses well managed;
 for they could tell passing well,
 when to stop or turn;
 and at such times,
 when they thought the
 case indeed required dissimulation,
 if then they used it,
 it came to pass
 that the former opinion, spread abroad,
 of their good faith
 and clearness of dealing,
 made them almost invisible.
 There be three degrees
 of this hiding and
 veiling of a man's self. The first, closeness, reservation, and secrecy;
 when a man leaveth himself without observation,
 or without hold to be taken, what he is. The second, dissimulation, in the negative;
 when a man lets
 fall signs and arguments,
 that he is not, that he is. And the third, simulation, in the affirmative;
 when a man industriously
 and expressly feigns and pretends to be,
 that he is not.
 For the first of these, secrecy;
 it is indeed the
 virtue of a confessor. And assuredly,
 the secret man heareth many confessions.
 For who will open himself,
 to a blab or a babbler?
 But if a man be thought secret, it inviteth discovery;
 as the more close
 air sucketh in the more open;
 and as in confession,
 the revealing is not for worldly use,
 but for the ease of a man's heart,
 so secret men come
 to the knowledge of
 many things in that kind;
 while men rather discharge their minds,
 than impart their minds. In few words,
 mysteries are due to secrecy. Besides (to say truth) nakedness is uncomely,
 as well in mind as body;
 and it addeth no small reverence, to men's manners and actions,
 if they be not altogether open.
 As for talkers and futile persons,
 they are commonly vain and credulous withal.
 For he that talketh what he knoweth,
 will also talk what he knoweth not.
 Therefore set it down,
 that an habit of secrecy,
 is both politic and moral.
 And in this part,
 it is good that a man's
 face give his tongue leave to speak.
 For the discovery of a man's self,
 by the tracts of his countenance,
 is a great weakness and betraying;
 by how much it
 is many times more marked, and believed, than a man's words. For the second, which is dissimulation;
 it followeth many times upon secrecy, by a necessity;
 so that he that will be secret,
 must be a dissembler in some degree.
 For men are too cunning,
 to suffer a man
 to keep an indifferent carriage between both,
 and to be secret,
 without swaying the balance on either side.
 They will so beset
 a man with questions,
 and draw him on,
 and pick it out of him, that,
 without an absurd silence,
 he must show an inclination one way;
 or if he do not,
 they will gather as
 much by his silence,
 as by his speech. As for equivocations, or oraculous speeches,
 they cannot hold out long.
 So that no man can be secret,
 except he give himself
 a little scope of dissimulation; which is, as it were,
 but the skirts or train of secrecy.
 But for the third degree, which is simulation, and false profession;
 that I hold more culpable, and less politic;
 except it be in
 great and rare matters.
 And therefore a general
 custom of simulation (which
 is this last degree) is a vice,
 rising either of a
 natural falseness or fearfulness,
 or of a mind
 that hath some main faults,
 which because a man must needs disguise,
 it maketh him practise
 simulation in other things,
 lest his hand should
 be out of use.
 The great advantages of
 simulation and dissimulation are three. First,
 to lay asleep opposition, and to surprise.
 For where a man's intentions are published,
 it is an alarum,
 to call up all
 that are against them. The second is,
 to reserve to a man's
 self a fair retreat.
 For if a man
 engage himself by a manifest declaration,
 he must go through
 or take a fall. The third is,
 the better to discover
 the mind of another.
 For to him that opens himself,
 men will hardly show themselves adverse;
 but will fair let him go on,
 and turn their freedom of speech,
 to freedom of thought.
 And therefore it is
 a good shrewd proverb of the Spaniard,
 Tell a lie and find a troth.
 As if there were
 no way of discovery, but by simulation.
 There be also three disadvantages,
 to set it even. The first,
 that simulation and dissimulation
 commonly carry with them
 a show of fearfulness,
 which in any business,
 doth spoil the feathers,
 of round flying up to the mark. The second,
 that it puzzleth and
 perplexeth the conceits of many,
 that perhaps would otherwise co-operate with him;
 and makes a man walk almost alone,
 to his own ends.
 The third and greatest is,
 that it depriveth a
 man of one of
 the most principal instruments for action;
 which is trust and belief.
 The best composition and temperature,
 is to have openness
 in fame and opinion; secrecy in habit;
 dissimulation in seasonable use;
 and a power to feign,
 if there be no remedy. 
 
 
- Impressum -